Eye-Catching Art at I-75 Exit 266 Tampa. Updated 2/23/2018

Temple Terrace Patch 

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Business Profile: The Story Behind the Eye-Catching Art at I-75 Exit 266 Tampa

Folk artist Joe Brown, better known as “Hong Kong Willie,” makes art with a message at his home/studio near I-75’s Exit 266 Tampa Florida
By Tristram DeRoma

Sometimes, it’s the smallest experiences that have the biggest impact on a person’s life.
While attending an art class in 1958 at the age of 8, Tampa folk artist Joe Brown recalled being mesmerized by the lesson. It involved transforming a Gerber baby bottle into a piece of art.
“The Gerber bottle had no intrinsic value at all,” he said. “But when (the instructor) got through with me that day, she made me see how something so (valueless) can be valuable.”
By the time class was over, Brown learned many other lessons, too, such as the importance of volunteerism, recycling, reuse and giving back to the community. He recalled being impressed by the teacher’s volunteer work in Hiroshima, Japan, helping atomic bomb survivors.
“One of the last words she ever spoke to me about that was, ‘When I left, I left out of Hong Kong,’” he said. After turning that over in his young brain for awhile, he decided to use it in a nickname, adding the name “Willie” a year later.
You’ve probably seen Hong Kong Willie’s eye-catching home/gallery/studio at Fletcher Avenue and Interstate 75. But what is the story of the man behind all those buoys and discarded objects turned into art?
Brown practiced his creative skills through his younger years. But as an adult, he managed to amass a small fortune working in the materials management industry. By the ’80s, he left the business world and decided to concentrate on his art. He spent some years in the Florida Keys honing his craft and building his reputation as a folk artist. He also bought some land in Tampa near Morris Bridge Road and Fletcher Avenue where he and his family still call home.
Brown purchased the land just after the entrances and exits to I-75 were built. He said he was once offered more than $1 million for the land by a restaurant. He turned it down, he said, preferring instead to make part of the property into a studio and gallery for the creations he and his family put together.
And all of it is made of what most people would consider “trash.” Pieces of driftwood, burlap bags, doll heads, rope—anything that comes Brown’s way becomes part of his vocabulary of expression, and, in turn, becomes something else, which makes a tour of his property somewhat of a visual adventure. What at first seems like a random menagerie of glass, driftwood and pottery suddenly comes together in one’s brain to form something completely different. One moment nothing, the next a powerful statement about 9/11.
One Man’s Trash …Trash? There is no such thing, Brown seems to say through his art.
He keeps a blog about his art at hongkongwillie.blogspot.com..
In his shop, he has fashioned many smaller items out of driftwood, burlap bags and other materials into signs, purses, totes, bird feeder hangars and yard sculptures.
He sells a lot to the regular influx of University of South Florida parents and students every year who are are at first intrigued by the “buoy tree” and the odd-looking building they see as they take Exit 266 off I-75.

Brown Sells More Than ArtOf course, the real locals know Brown’s place for the quality of his worms.
If there’s one thing that Brown knows does well in the ground, it’s the Florida redworm, something he enthusiastically promotes, selling the indigenous species to customers for use in their compost piles. Some of his customers say his worms are just as good at the end of a fishing hook, though.
“To be honest, what made me come here is that they had scriptures on the top of his bait cans,” said customer John Brin. “Plus, they have good service. They’re nice and they’re kind, and they treat you like family.”
Though Brin knows Brown sells them mostly for composting, he said they are great for catching blue gill, sand perch and other local favorites. He also added that he likes getting his worms from Brown “because his bait stays alive longer than any other baits I’ve used.”
For prices and amounts, he has another blog dedicated just to worms.
Of course, many people also stop by to buy the smaller pieces of art that he and his family create: purses made of burlap, welcome signs made of driftwood, planters and other items lining the walls of his store.
He’s also helped put his mark on the decor of local establishments too, such as Gaspar’s Patio, 8448 N. 56th st.
Owner Jimmy Ciaccio said that when it came time to redecorate the restaurant several years ago, there was only one person to call for the assignment, and that was his good friend Brown.
“I’ve known Joe all my life, and we always had a good chemistry together,” Ciaccio said. “He’s very creative and fun to be around, and that’s how it all came about.”
Ciaccio says he still gets compliments all the time for the restaurant’s atmosphere he created using the “trash” supplied by Brown. He describes the style as a day at the beach, like a visit to Old Key West.
“They’re so inspired, they want to decorate their own homes this way,” he said.
It’s that kind of testimony that makes Brown feel good, knowing that others, too, are inspired to create instead of throw away when they see his work. He simply lets his work speak for itself.
“Somebody once told me to keep telling the story and they will keep coming,” he said, “and they always do.”

About HONG KONG WILLIE

Artist Born for this time, Lived on a landfill as a child. Reuse Became the way of life. To read the story from the inception of the Name Hong Kong Willie. Famed, by the humble statements form the Key West Citizen, viable art from reuse has found its time. To Live a life in the art world and be so blessed to make a social impact. Artists are to give back, talent is to tell a story, to make change. Reuse is a life experience. To think now of the past and the story of Hong Kong Willie, Why i have to say it was for a reason. Hong Kong Willie Art Gallery In Tampa, a reuse Art Gallery. Artist Kim,Derek,and Joseph. reuse artist that have lived the life and are meant for the green movement in the world. A gallery that was born for thist time. Artist living a freegan life,art that makes a social statement of reuse. Media that has a profound effect in making the word green truly a movement of reuse in the world today and the future. Contact the Artists for appointment @ (813)770-4794 HONG KONG WILLIE A TAMPA TOURIST ATTRACTION. HONG KONG WILLIE IN TAMPA LOCATED ON I-75 EXIT 266. A LITTLE OLD FASHION TOURIST ATTRACTION THAT HAS LIVED THE LIFE OF BEING GREEN. HONG KONG WILLIE GREEN SHOPPING BAGS AND HONG KONG WILLIE ART IS A FORM OF LIFE TO MAKE A DIFFERENCE IN LIVING LIFE AND TO FIND SOLUTIONS IN TRULY REUSE. HONG KONG WILLIE HAS FOUND OUT THE WAY THAT WE CAN REUSE MANNY OBJECTS IN OTHER FORMS. HONG KONG WILLIE ART AND THE ART INSPIRED FROM LIVING IN THE FLORIDA KEYS AND THE KEY WEST UNDERSTANDING THAT COMPILING ABOUT SOMETHING IS LIKE WAKING A DEAD MAN UP NOTHING IS GOING TO HAPPEN. THE KEY WEST WAY OF LIVING IS TO DO WITH ONES SELF. HONG KONG WILLIE HAS SEEN THROUGH THE YEARS THAT THE SOLUTION IS WITH IN ONE SELF. HONG KONG WILLIE RAISED ON A LANDFILL IN TAMPA SAW MANY USES FROM WHAT PEOPLE WOULD DISCARD. ARTIST FIND THAT PRECEPT IS WITH IN ALL OF USE. THE TERM GREEN IS A VERY IMPORTANT WAY FOR THE FUTURE. WE ALL NEED TO BE POSITIVE AND LOOK FOR A NEW WAY OF USING OUR RESOURCES. HONG KONG WILLIE IF YOU LOOK THE NAME STARTED IN 1958 IN A ART CLASS. STOP BY AND LOOK FOR WAYS THAT HONG KONG WILLIE HAS USED OBJECTS IN MANY DIFFERENT WAYS THAN THE FIRST USE. REMEMBER WE ALL CAN MAKE A POSITIVE DIFFERENCE ON THIS WORD. HONG KONG WILLIE TRIES TO MAKE LESS OF A FOOTPRINT ON THIS EARTH. THE NAME HONG KONG WILLIE SINCE 1958 GOOGLE HONG KONG WILLIE HONG KONG WILLIE THE NAME OF THE ARTIST. IN 1958 HIS MOTHER TOOK HONG KONG WILLIE TO AN ART CLASS. THE NAME STARTED THEN. AN ART TEACHER WHEN DOING CRAFTS OUT OF GERBER BABY BOTTLES MADE A STATEMENT IN HONG KONG REUSE WAS COMMON. AT THAT TIME HE THOUGHT THIS WAS%2
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